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This work was exhibited at the Kathleen Ewing Gallery in Washington DC in the spring of 2006.  A review of the exhibition can be read in the Summer 2006 issue of Artform magazine where critic Nord Wennerstrom writes


"The shots-mostly still lifes and tableaux-border on the surreal, a significant departure from the empiricist landscape photography for which the artist is best known. Moreover, they demonstrate in subtle ways his ability to intertwine irony and wit with an acute sense of texture and a resourceful use of found objects. …. With this show DiPerna joined the lineage of artists who embrace artifice as a new reality."